I guess it's been almost two weeks since my last post! I hadn't felt much like blogging due to a sinus infection, which is on it's way out now, thank goodness. I have lots of quilting things going on!
I've had a quilt top for another Wiggle Whimsy quilt pieced for several weeks, but for some reason hadn't felt like quilting it. I think it's because I used a Moda
Marbles background, and this gave the quilt a totally different look from the one I made using the solid white. And to be honest, I think I just don't like it as much as the one I made with the solid white. But I had a hankering for doing some machine quilting and this was the only thing I had ready to quilt, so I decided to finish it up.
I also decided to try something I hadn't done before: piece a couple batting remnants together. I had read somewhere that you could do this and I had one piece that was about 18" shy of being wide enough for this quilt and I had another piece that would fill that bill. So I tried zig-zagging them together on my machine. It turns out this is a terrible idea. When I was basting the quilt sandwich together I couldn't, for the love of all things good, get the wrinkles out! It turned out it was because the process of zig-zagging ever so slightly puckered one side of the batting. I ended up, in frustration, cutting about a 1 cm strip out of the batting right where I stitched it together and moving my small side back to snug with the other edge and then finish basting my quilt sandwich. (I have since read that one way of securing batting pieces is to use lightweight fusible interfacing...I'll try that next time). I did not secure the two pieces of batting together at all, and it seems to not have had a negative effect on my finished quilt, but I wouldn't do this intentionally in the future.
The other thing I did that was new to me on this quilt is that I intentionally practiced making my stipple bigger. I watched some of Leah Day's freemotion quilting videos on YouTube (she has a whole set of tutorials for the Freemotion Quilting Project as well as a blog); she's just and excellent teacher. I learned from her that it's much easier and faster to stipple in rows...and I tried it on this quilt and found that to be absolutely true! Anyway, wait no longer, here it is:
On the literary front, I went to the library with my daughter the other day and picked up major amounts of quilting books.
I haven't even begun to read all of them, but two of them stand out to me as ones that I may actually want to add to my quilting book library.
I've decided that my quilting "style" definitely leans more modern rather than traditional. The modern quilting book has some really stunning quilts in it. And the 130 mini quilt block book has some adorable blocks. There are two chapters that I particularly like, one entitle Retro Revival and the other Thrifty Thirties. The blocks I'm most taken by are the houndstooth and whirligig blocks from the retro chapter and the airplane and propeller blocks from the thirties chapter. I could see all of these blocks making very cool modern quilts in their own right. I just may make one of these blocks into my next big project.
Which brings me to my current project. I started my daughter's quilt the other day. Remember that jelly roll of Notting Hill I mentioned? Well, here it is in the beginnings of Isabel's quilt:

I just have to mention that I'm really disappointed in this fabric. I love, love the design and colors. But the quality of cutting of the jelly roll is absolutely horrible! The strips are not an accurate 2 1/2 inches. Not only are they not accurately 2 1/2 inches, but they're wedge-shaped. They're most close to the 2 1/2 inch width in the center of the strip and they get skinny at the ends. It's made it awful to try to get square blocks. I have two jelly rolls and they're both this way. The other thing that bugs me is that many of the prints in this line are quite obviously directional, but the jelly roll strips aren't cut straight with the direction of the print. So, for instance, when you have a stripe, it looks like it's running off the jelly roll strip. I just hope when the whole quilt is put together and quilted this won't be obvious and mess with your eyes. (Because it's seriously messing with mine as I sew it...and I hate it!)
This experience on Isabel's quilt has led me to a decision: I'm not buying any more precut fabric. To be honest, I've not bought any that was accurately cut. The first charm pack I bought was 4 3/4" by 5" and it seems like every time I buy a precut, it's off. Let's face it, I have enough trouble getting an accurate scant 1/4" seam. I don't need inaccurate cutting messing me up.
And speaking of accuracy...I try not to obsess about it. I know we all have our own standards, and there has to be a balance between those questions of "How crazy is this going to make me that those seams don't match up?" and "Am I still having fun?" One thing I've realized is that, once a quilt is completed, quilted and washed, if seams are a couple needle widths from perfect, no one is going to notice. (And I'm not making quilts to be judged, mind you...I know that's a whole different world and a different standard). I recently came across a blog...sorry, I don't remember whose it was...where the writer was giving tips on how to get your seams to match up. And when she showed the ones that weren't "perfect" that she would rip out and re-sew, I was dumbfounded because they were, literally, a couple needle widths off. But perhaps she is making show quilts.
In the case of Isabel's Notting Hill quilt, those blocks are really going to be a challenge because the jelly roll strips literally vary from 2 1/4" to barely 2 1/2". I'm trying to make up for the difference by fudging my seam allowances, but it's not working out perfectly. I've already discarded a couple blocks because they're just so out-of-square. Ah, well, enough ranting...I'd rather be sewing. I'll make it work because one thing about me is certain: I'm determined.